Fireworks

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End Of September - 'End Of September' http://rocktopia.co.uk/media/reviews/photos/thumbnail/200x200s/da/7e/7e/2582_endofseptemberendofseptember_1344616222.jpg Hot

Added by Central Electronic Brain     August 10, 2012    
 
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Artist

Debut by the Swedish female fronted metal band.

End Of September is a Swedish female fronted metal band founded in 2009 by guitarist Eric Tordsson. A demo was swiftly recorded but shortly after their vocalist left, which resulted in the idea being shelved for two years. Last year he finally completed the line up and in 2012 EOS will be releasing their self titled debut.

This opens with ‘Isolated and a truly raucous riff, the verse is more delicate with silky vocals and chiming notes before that deep riff powers back up. ‘Left In This World’ and ‘Waiting For The Rain’ also follow this formula of heavy start/chorus and softer verses. ‘World’ has a bouncier progression to its design and is one of the few songs that increases a little in pace. ‘Rain’s opening is less crunchy and it has one of the more memorable guitar melodies during the chorus. The dripping keys, sounding like rain drops, adds a really good atmosphere. ‘Fallen’ has another huge opening that is stripped back a notch, becoming a memorable grind, before returning to its original state for the chorus. ‘Inner Voice’ also has a bit more of a grind about its riff in the verse whilst the chorus lead in has an uplifting revolving melody. ‘A Place To Go’ and ‘Exile’ are more traditionally metal based with a bombastic, crunchy riff driving the former, whilst a slow chugging progression does so for the later. The album closes out with the other two songs that show a slight pace increase. ‘Silence’ powers along with another toned down riff, one which leads into an impressive effects laced melody in the chorus. ‘Autumn Breaks’ has more of a swirling composition that shows up at various points throughout.

Fireworks - The Ultimate Magazine For Melodic Rock Music

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This is a solid debut from EOS. Their style is more standard metal than symphonic, more Lacuna Coil/Evanescence than Nightwish. Elgin has a good, expressive and clear voice but it does feel like she is pushing her limits occasionally when the song really requires a serious burst. Tordsson is a delight conjuring up some delicious riffs whilst giving plenty vocally with a good array of styles. He’s also responsible for the writing as well as the mixing and mastering. For the latter he should be highly commended for producing a crisp and fresh sound which allows everything to be picked out. However, on the writing side this album falls down, the lack of diversity in pace and structure is its biggest flaw. There is no discernible ballad or any songs which show Tordsson really stepping on the accelerator. Some of the tracks grind a little more; others show a half step of pace more but nothing that truly separates the tracks. But this one gripe doesn’t total destroy a good listening experience. There are some fine songs that are well played and the band shows a lot of promise.

This could be an act to keep an eye on; if they can show a bit more variety then they could become a fine female fronted metal band.

Dave Scott

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